Mark Adler

Mark Adler is a lyric tenor in high demand on operatic stages and in concert halls across his native Germany and throughout Europe. Since ending his engagement at the Staatstheater Darmstadt in 2010 Mr. Adler has led a busy freelance life in opera in roles and at theatres as diverse as Max in "Der Freischütz" at the Staatstheater Braunschweig; Narraboth in "Salome" at the Staatstheater Darmstadt; Matteo in "Arabella" at the Theater Aachen, Tiroler Landestheater Innsbruck and Staatstheater Nürnberg; Balduin Graf Zedlau in "Wiener Blut" and René in "Madame Pompadour" at the Wiener Volksoper; and Luzio in "Das Liebesverbot" at the Oper Leipzig, his Wagner début.
In 1999 Mark Adler made his professional European début singing Tamino in “Die Zauberflöte” with the Festival in Aix-en-Provence on tour in Western Europe. Until 2010 he was a member of the ensembles of the Wuppertaler Bühnen, the Musiktheater im Revier, Gelsenkirchen and the Staatstheater Darmstadt, where he sang the lyric tenor opera repertoire.
Further European engagements have included productions with the Oper Köln, Nationaltheater Mannheim, Théâtre Royal de la Monnaie in Brussels, Opéra National de Lyon, Landestheater Salzburg and the Tiroler Landesthater in Innsbruck. He has also appeared internationally at the Melbourne International Arts Festival and at t he Lincoln Center Festival in New York City.
An accomplished recitalist and concert singer, Mark Adler regularly performs many of the oratorios of Bach, Mendelssohn, Mozart and Haydn. In 2010 he was invited by The Dominante Choir and the Lahti Symphony Orchestra to sing the St. John Passion by J. S. Bach in Helsinki and Lah ti, Finland and in 2011 the solo tenor part of Beethoven's "Missa solemnis" with the Philharmonia Chorus London and the Orchestra of the Age of Enlightenment under the baton of Gianandrea Noseda at the Royal Festival Hall in London.